United Arab Emirates
Photographing Dubai is always a pleasure. Everything about it is crystal clear and straightforward: here's the tallest building in the world; there's Marina, and then there's The Palm, the sail-shaped hotel and several clusters of high-rises within an old city and several beaches...
It is very easy to find time for a photo session in Dubai. Dubai is one of the world's biggest airport hubs so if you are flying to Australia, for instance, make sure to buy tickets with a stopover in Dubai; and just like that you will have a couple of days at your disposal — A couple of days to take nice walks and do a little shopping and flying (if the weather permits).
By now, I've already flown above the city by helicopter twice, and our website has published two tours. Yet, this type of photography does not allow the photographer to capture everything in detail, to study elements, or to go down below and come out from between structures.
It would be more convenient to go there with our drone (a radio-controlled helicopter). However, considering the fact that I was not allowed to open even the helicopter window without a paper from the police, we assumed that our flying device would definitely arise interest and objections from the local authorities and security services.
Therefore, when we finally planned to photograph Dubai and Abu-Dhabi with the drone, we asked World Wide Web for help with obtaining the required permits.
To our relief, several people responded to our cry for help. One of them was Mirjana, who was working as a media producer in a large media company in Abu-Dhabi. She was key to organizing our shooting in the UAE -making sure every piece of the puzzle / paper is in place.
In the beginning, we had no idea how big of a puzzle it was — it took us many hours to fill out all the applications, determine exact shooting locations perimeters, provide specifications of our equipment. All the papers were submitted, all payments made and passports scanned long in advance. And we did not know if we would get the permits for shooting until the last minute. The joyful message arrived right before our flight: We got lucky! We did receive the permit to photograph Dubai! However, as Dubai shooting locations are strictly divided in several categories, with different and some very high fees to pay, our permits were for photographing in public places, which is a rather limited number of locations.The rest was a matter of organization: Mirjana would pick us up before dawn, we would choose a starting point of shooting, and then we would shoot, shoot and then shoot again.
It was disappointing that the tallest building in the world, Burj Khalifa, is not considered a public place; so we could not fly our drone around and above its musical fountains at the base of the building. The cost of the permits to photograph Burj Khalifa is several thousands of US$ per day, Burj Al Arab, the sail-shaped hotel, charges about the same amount of money for photographing at its location.
It is strikingly different from the reception of our crew in the adjacent emirate of Abu-Dhabi, where we were not only allowed to photograph the best hotels and locations, such as the Emirates Palace and Etihad Towers, but we were also offered to stay in these hotels so that we could plunge into the atmosphere and later share our photographs.
Abu-Dhabi is the capital of the United Arab Emirates, and it has completely different feel from Dubai. Firstly it is an island-city and it is a planned city — with a grid street system, just like Manhattan, it is very easy to navigate around it. Abu Dhabi main island is surrounded by many little islands that are being developed into amazing new industry specific quarters — cultural district, business district.... Being a capital of the UAE, Abu Dhabi has numerous palaces and governmental institutions around the city, which explains the vigilant security. In fact, at any moment, someone important can be flying by in a helicopter.
According to the procedures described in our permit, we were required to request a corridor from aviation dispatchers for each takeoff. We have never experienced anything like this before. Our shooting locations were predetermined and logged in the air traffic systems well in advance. We would dial the "tower", give our coordinates, and ask for a certain altitude. We would be given permission to fly for 10-15 minutes, or we would be asked to wait and call back while somebody of importance would fly by not too far away. Once we get go-ahead, we would launch our drone and do some photo shooting. Then, the corridor would be closed in the same manner: with a phone call to a tower.
We were very excited about having a wonderful opportunity to shoot all over Abu Dhabi with almost no restrictions. The only exception was the outstandingly beautiful, snow-white Sheikh Zayed Grand Mosque. We did not get aerial permit but we were allowed to shoot it from the ground. So I came back several times there to see it in every light of the day and spent a considerable amount of time admiring this work of art and trying to capture its beauty in the panoramic photos. Now that our photos are published, we see how much of the charm the portrait of Abu Dhabi looses and we hope that we will be given the privilege to film Sheikh Zayed Grand Mosque in its entire beauty next time we are in the UAE.
The Emirates is a great, vibrant, wondrous country — people are relaxed and friendly, the standard of living there is rather high. They build majestic cities with unusual buildings, make man-made islands, create convenient conditions for business, and ensure safety. These two cities that we had a pleasure to visit, Abu-Dhabi and Dubai, are definitely aspired for greatness in the future.
We are very grateful to Mirjana DeLaey, Executive Producer at Abu Dhabi Media Zone, for helping us organize our production and trip to the United Arab Emirates from start to finish.
She and her colleagues not only offered help and support in obtaining location permits, but also with the entire logistics for the production and crew during our stay in the UAE. She was our producer for over 2 weeks full time, and even after our shooting, Mirjana continued working with us over 2 months to the very end ensuring the material goes live, all in the spirit of our project, so that everyone around the globe can enjoy the sights of the UAE.
Filming in Dubai and in the UAE was great collaborative effort of numerous authorities, companies and media enthusiasts. AirPano team is very grateful to all for their kindness, perseverance and support.
We would like to express our special thanks to the UAE authorities and media companies:
— National Media Council
— Ministry of Interior
— Ministry of Defense
— Ministry of Presidential Affairs
— General Civil Aviation Authority
— Department of Transport
— twofour54 — Abu Dhabi Media and Entertainment Hub
— The Media Company — one of the fastest growing media production companies in the Emirates
and our most sincere appreciation and gratitude to our Emirates production crew: Mohammad Fathii and Ahmed Al Kaabi for making this production possible.
Photo, video and text by Stas Sedov and Dmitry Moiseenko
19 November 2021
Virtual Travels in 360°Prague, Czech Republic Split-panoramas Yuanyang Hani Rice Terraces, China Bangkok, Thailand Paraty, Brazil Istra Reservoir, Russia Valley of Geysers, Kamchatka, Russia New York, USA. City of Skyscrapers Tokyo at night, Japan Icebergs of Greenland. Part VI Namib Desert, Namibia